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For young Peony, betrothed to a suitor she has never met, these lyrics from The Peony Pavilion mirror her own longings. In the garden of the Chen Family Villa, amid the scent of ginger, green tea, and jasmine, a small theatrical troupe is performing scenes from this epic opera, a live spectacle few females have ever seen. Like the heroine in the drama, Peony is the cloistered daughter of a wealthy family, trapped like a good-luck cricket in a bamboo-and-lacquer cage. Though raised to be obedient, Peony has dreams of her own.
Peony’s mother is against her daughter’s attending the production: “Unmarried girls should not be seen in public.” But Peony’s father assures his wife that proprieties will be maintained, and that the women will watch the opera from behind a screen. Yet through its cracks, Peony catches sight of an elegant, handsome man with hair as black as a cave–and is immediately overcome with emotion…
In nineteenth-century China, in a remote Hunan county, a girl named Lily, at the tender age of seven, is paired with a laotong, an “old same,” in an emotional match that will last a lifetime. The laotong, Snow Flower, introduces herself by sending Lily a silk fan on which she’s written a poem in nu shu, a unique language that Chinese women created in order to communicate in secret, away from the influence of men. As the years pass, Lily and Snow Flower send messages on the fan and compose stories on handkerchiefs, reaching out of isolation to share their hopes, dreams, and accomplishments. The agony of foot binding performed by mothers and arranged marriages, isolation, loneliness, and the joys and tragedies of motherhood are all explored. The two find solace in their friendship, developing a bond that keeps their spirits alive. But when a misunderstanding arises, their relationship suddenly threatens to tear apart.
Ruth Young and her widowed mother, LuLing, have always had a tumultuous relationship. Now, before she succumbs to forgetfulness, LuLing gives Ruth some of her writings, which reveal a side of LuLing that Ruth has never known. . . .
In a remote mountain village where ghosts and tradition rule, LuLing grows up in the care of her mute Precious Auntie as the family endures a curse laid upon a relative known as the bonesetter. When headstrong LuLing rejects the marriage proposal of the coffinmaker, a shocking series of events are set in motion–all of which lead back to Ruth and LuLing in modern San Francisco. The truth that Ruth learns from her mother’s past will forever change her perception of family, love, and forgiveness.
“A strong novel, filled with idiosyncratic, sympathetic characters; haunting images; historical complexity; significant contemporary themes; and suspenseful mystery.”
–Los Angeles Times
“For Tan, the true keeper of memory is language, and so the novel is layered with stories that have been written down–by mothers for their daughters, passing along secrets that cannot be said out loud but must not be forgotten.”
–The New York Times Book Review
From the mind of Hector A; he was inspired by one of the characters from a book he recently read.
Freedom Readers is an ongoing program in the Santa Clara County Juvenile Hall serving kids in custody. From donations, purchases and gifts over 1000 books are rotated through Units which will this summer will culminate in a library for the minors.
Freedom Readers 